Showing posts with label Argentina. Show all posts
Showing posts with label Argentina. Show all posts

Wednesday, October 09, 2013

October 9: Tango in San Telmo

She sketches a circle
with the tip of her shoe,
an invitation.
He nods his head,
accepts with a bow.
He presses a button 
on a boom box.
The tinny music of tango
fills the air
to the delight of passersby 
from the neighborhood
and tourists who have come
to San Telmo in Buenos Aires
to see in these dancers
those moments 
we now remember from our youth.

Tango dancers, San Telmo
(Camp 2009)
She arches her back;
he twirls her around,
their steps pause
and repeat,
their knees and ankles brush,
an intricate embrace
of precision and passion;
her head thrown back,
the music, the music revolves
a rondo,
and we are lost again
in the moment.




San Telmo, Buenos (Camp 2009)
Today's prompt from OctPoWriMo asks us to think of music and to write a lyric poem.

Today has been a busy day, with laundry, doctor appointments, and a sweet grandchild, BUT the music and the dancers I remember most clearly -- that is past those early days of rock and roll back in the late 1950s and early 1960s -- is the music I found in San Telmo, an old barrio in Buenos Aires, where I lost my heart to tango.

Read more about the tango on Wikipedia.

Read what others have written, inspired by music at OctPoWriMo.

To see a 21-second snippet from the dancers in San Telmo, click on the video below.





Tuesday, March 24, 2009

#155 I come from . . .

I come from the country, an
estancia so far from the city that
only the men go on horseback,
driving the cattle to market. When they return,
we’ll set up the barbeque on the patio.
The old men will play their guitars,
and the women will dance. Ah, I remember last time.
I could feel Renaldo’s eyes on me
as I placed a vase of yellow flowers on my head,
fanned my skirts back and forth, and
placed my feet just so.
Singing, I danced faster and faster,
my hips moving,
the flowers steady and true.

I come from San Telmo, a barrio in Buenos Aires.
I sit on my third floor verandah each morning,
hidden from the crowds below. I sip hot coffee.
The sugar from my sweet rolls sticks to my fingers.
Parrots nest high in the nearby palm trees, and
red flowers bloom in a Ceibo; later,
I’ll twine them in my hair when I dance the tango.
Ah, Renaldo, I long for when you come to the city.
I will put my black dress on and dance with you
cheek to cheek.



The startling scarlet flowers of the Ceibo, also called seíbo or bucaré, are Argentina’s national flower, as the tango is Argentina’s national dance. We’re only in Buenos Aires one more week and then back on the road (without internet for 10 days). Already, I’m thinking of April and napowrimo, the challenge of writing a poem every day for a month. Will you do it?

Saturday, March 14, 2009

#154 Buenos Aires, March 2009

Her head was found. They say
the rest was scattered.
Desaparecidos, they call these lost ones.
30,000 disappeared
sometime between 1976 and 1983.

I stand in the Plaza de Mayo,
wondering again about violence,
remembering when I was young.
Would my mother have worn a white scarf?
Would she have walked slowly
in a circle past the soldiers,
so slowly as to be eternal?


Our guide tells us the women still come here to the Plaza de Mayo, each Thursday at 4:30 pm, circling the plaza silently, holding photographs of those who were lost. A passing man interrupts our guide’s explanations. “Do not step on these symbols. They represent 30,000 lost.”


He tells us more; our guide interprets. Finally the man leaves and our guide continues. “We do not support these women today,” our guide says. Other Argentinians in the group nod. “We support them, that is, their main idea and honor what they have done, but today, there are two groups, one is made up of mothers who pressuring the government to admit its culpability; they take money from the government. The other group is made up of the grandmothers seeking to reunite those children who were adopted with their real past, which is very difficult.”

The sun flickers on his face. I do not really understand his distinctions, though I learn later that the more radical group also blames the United States for training Argentina's military in the controversial School of the Americas. The history of Argentina’s “Dirty War” and the Madres de la Plaza de Mayo is summarized more fully in two Wikipedia articles I found useful.

I look at the round plaza and remember learning of these women from newspaper accounts when I was in San Francisco in the 1970s. I marvel I am standing in this place, in the shadow of the Casa Rosada, the Argentinian equivalent of the White House.