Saturday, April 22, 2017

Rivers of Stone: A Literary Pilgrimage?

We writers are never quite sure what pushes us to tell a certain story. Some little-known fact. Perhaps an article on a back page of the newspaper or a snippet from a poem sets us off.

Where did Rivers of Stone begin? Maybe with mermaids off the coast of Scotland that morphed into the first book of this series, Standing Stones. Maybe with the continued saga of Mac and Deidre in Tasmania, Australia, in the second book of the series, Years of Stone

And maybe it was just time to tell the story of Dougal, Mac's brother and a fiddler, and his sweetheart, Catriona. Rivers of Stone was shaped by countless camping and hiking trips across Canada as we traveled east to visit family. I was fascinated by the fur trade era and those who crossed the Rockies. Here's a picture of a breakfast view from our last camping trip near Banff in 2015.

Then three years ago, I read a little blip about Isobel Gunn who disguised herself as a man to work for the Hudson's Bay Company in 1806. She remained undiscovered for two years until she became pregnant. 

Almost immediately, Catriona moved from supporting character to primary protagonist.

I don't know how others might define 'literary pilgrimage'. For me, it's that journey writers take as we sink into the characters, the history of their lives, inner and outer, and the story itself. Sometimes I wish the writing of a novel would take less than three years, but this process of  'coming to  know' -- at least for me -- simply takes time. 

Time to get back to those final revisions, with thankfulness for my beta readers who now have their review copy of Rivers of Stone in their inbox! 

With thanks to John Fox of Bookfox for his "50 Good Questions to Ask Authors."

Sunday, April 16, 2017

Rivers of Stone: Cover Reveal

Once a book is nearly done, writers step away from the keyboard to focus on the cover, the media kit, and the launch. 

Today, I'm celebrating the new cover for Rivers of Stone, scheduled for release this summer in late June. 

Thanks to the remarkable skills of Angie Zambrano of pro_ebookcovers fame, this new cover fits right into her previous designs for my historical fiction series (see right).

Indie writers have a lot of say in the design of their covers. We need to consider how the cover appeals to our readers, if the cover is readable at the Amazon 'click on me' size, and whether the cover captures and predicts the essence of the story.

I love how the cover dramatizes the wilderness of 19th Century Canada. So, I'm pretty excited, but I'm also wondering how readers will reactWhat do you think? Would you pick up this book, based on the cover?

Here's the description for Rivers of Stone:   

In 1842, Catriona McDonnell, unwilling to be left behind in Scotland by her husband Dougal, disguises herself as a boy to work for the Hudson’s Bay Company. Within a few days of landing at York Factory on Hudson’s Bay, Cat is assigned to work at the Company trading post. But Dougal is ordered to go west to Fort Vancouver and the Pacific Northwest -- abandoning Cat.

Rugged terrain and thousands of miles now separate them. Even a letter takes three months to reach its destination. Catriona’s courage and tenacity will be tested in unexpected ways as she struggles to find passage west to Dougal. Along the way, she meets Canadian artist Paul Kane, on his own quest for the Hudson’s Bay Company during the decline of the fur trading era and the settling of the west.

Now, back to work on final editing. May you have a good week!

Wednesday, April 05, 2017

IWSG: Into the Abyss: The Draft is Done!

What a thrill. Last Sunday, I finished my current project, Rivers of Stone, after three years of work. Research, writing, editing, revising, more research, editing, and rewriting. Done. Well, really, done for now. 

I’m ready to send this story off to my beta readers and switch my writing attention to that wrap-around stuff (the cover, the blurb, the newsletter, the media kit).

I want to let go of this story for a little bit, these characters I know so well. But, remember the principle of selective observation? That we notice in the morass of data around us those bits that are most useful?

Yesterday, PBS interviewed Colum McCann about his book, Letters to a Young Writer. McCann commented about how to dig into character: “It’s not just what they ate for breakfast, but what they wanted to eat.”

What a fantastic way to move into deep point of view. My reaction? I wanted to revise my story one more time to see if the story captures what my characters want. Even writing these kinds of notes down as part of a character sketch would inform motivation, conflict, and plot. 

And I’m still wondering if my story has enough sensory detail and if I should go back just one more time to check out just how those five senses invigorate my writing (I lean to touch, hearing, and sight more than smell and taste).

Image @bytoropov (Yusuf Toropov)

But, I’m still setting Rivers of Stone aside. Because I could spend yet another year picking away at revision.

So thank you, IWSG. You came to the rescue with Bryan Cohen’s article this month, “What the Heck is Copywriting Anyway?” 

Cohen says copywriting “is the act of writing all the words that go outside of your book. Book descriptions, emails to readers, and advertisements all fall under the copywriting umbrella.”

In my heart, I know I’ve taken Rivers of Stone as far as I can. That’s why I’m thankful for those beta readers. So, while I wait for their responses, it’s time to make a schedule, play with book covers, and draft my book blurbs. 

Let my inner copyeditor loose! I want to say, “Wish me luck,” but what I really need is persistence and courage. Let’s do this.

Today's post is part of a monthly commitment to the online writing community, Insecure Writer's Study Group. Check out their extensive and very helpful resources. If you haven't already, sign up for their newsletter -- and write on! And check out what others have written for IWSG this month HERE.