ROW80 Update . . .

ROW80 (A Round of Words in 80 Days) begins officially with Monday and Wednesday posts, January 7 through March 20. We have set goals and now will climb the hill of accountability every week. On this last Monday, one ROW80 writer cleverly separated 'writing about goals' from 'writing about writing', so that's what I will try to do with today focusing on goals.

Writing: I would like to finish another round of editing of Years of Stone. This last week has seen a breakthrough as one of my major characters comes into her own. Of course, being somewhat demanding, she requires a complete rewrite. She will not faint. She will drink more than tea. She will confront dragons (figuratively). She is challenging me to rethink her every action, and I will.

Being part of several writing communities, the Internet Writing Workshop, the Ultimate Blog Challenge, and ROW80, as well as keeping up my travel blog makes me wonder if I've stretched myself too thin. Especially for the travel blog, I find it difficult to keep posts current, unless we are on the road somehow. This last six weeks, I've been writing about our trip to Africa. I'm now posting about one entry a week. But each morning begins with writing on Years of Stone first. So far.

Reading. Aargh! I'm feeling undisciplined. I'm reading four books, maybe five, right now: Sally Mitchel's Daily Life in Victorian England; Orson Scott Card's Characters & Viewpoint; Ken McGoogan's Lady Franklin's Revenge (nonfiction); and Kate Grenville's The Secret River.  But late at night, the Kindle calls with its lovely, oversized print. Of these, so far, Card has been most useful in digging into ideas I need to understand, particularly re character motivation. I did sign up for GoodRead's challenge to read 50 books this year.The mail also brings in Writer's Digest and The Writer to keep me thinking about writing craft.

Marketing/Publishing/Outreach. Today, I submitted Standing Stones to an independent publisher specializing in historical fiction. Big step. Lots of paperwork. Now I wait 5-10 weeks and may hear nothing at all. But the book is out there once again.

In addition to ROW80, I'm posting daily for the Ultimate Blog Challenge (UBC) through January. Most UBC participants are not writers, but they have marketing and technical skills galore. I'm learning new vocabularies and new ways of thinking about what marketing strategies will work for me. One lesson: Work on the 'business' side of writing every day. My goal: To have a specific list of actionable steps I can take to improve my marketing by the end of January.

Do you have your 2013 calendar yet? For the first time, I have listed writing goals throughout the year. Yes, I will submit to the Pacific Northwest Writers Association literary contest in February. Yes, I will write a month of poetry in April for National Poetry Month and participate in NaNoWriMo this November for Rivers of Stone (after a summer of research).

My favorite quote just now is from poet Sharon Olds. I met her one rainy weekend at a writing retreat on the Oregon coast. She says: "Writing or making anything -- a poem, a bird feeder, a chocolate cake -- has self-respect in it. You're working. You're trying. You're not lying down on the ground, having given up."  So, respect yourself. Respect the process. And may your writing (or other projects) go well. May you celebrate each day with joy.

Masaii Women in welcome dance, Tanzania, November 2012

Back to editing . . .

On July 24th, I stood in front of 450 people to receive the second place award in historical fiction for Standing Stones at the Pacific Northwest Writers Association literary contest.

I remember bouncing up out of my chair when my name was called with a sense of disbelief and joy. Some 1100 people entered back in February. Now just three names (Kendra Hall, for Joan of Arc, Gabriella's Story; Debra Carlson for Shakuhachi, and me) were announced in our category. At the "winners only" reception following the dinner, several agents invited me to send my work, but here I heard for the first time that 118,000 words is too long for a first novel by a new author.

Over the long weekend of August 6th, I attended the Willamette Writers annual conference in Portland. Robert Dugoni was an inspirational keynoter ("Begin your story with blood on the floor") and workshop leader. Charlotte Cook changed my perceptions of how to write back story with her comment:

"If you don't want to compromise the forward momentum of the story, integrate back story as you experience your past in your own life. Do we stop action in the present to retell ourselves a story from the past? In chronological order?"

But the real draw for me at Willamette Writers was to find out more about agents and the possibility of representation. Now I learned in earnest that Standing Stones was too long. But after a year of editing, I'm no longer intimidated by the challenge of chopping out 25,000 words or so. I'm not subbing to agents just yet. I'm not writing poetry or short stories. Each morning begins with editing. Each afternoon includes research, for the next two stories in this series are simmering and shimmering in my imagination. Summer now begins its turn to fall. May your own projects go well.

Standing Stones a finalist . . .

I'm thrilled to learn that Standing Stones was selected as a finalist in this year's Pacific Northwest Writers Association literary contest. Over 1100 writers entered with nearly 100 chosen as finalists in 12 categories. Results will be announced July 24 at an awards dinner in Seattle. I'm going!

C. C. Humphreys is the keynote speaker at the dinner. This accomplished writer gives his occupation as "writer, actor, and fight choreographer," so I'm sure to learn something new. He's on my reading list now, along with other research which pulls me in many different directions -- all 19th Century but in Tasmania, China, Hawai'i, and along the fur traders' routes in Canada west from York to Fort Vancouver.

I found a gem in Paul Kane (1810-1871) who, inspired by George Catlin, painted to preserve the culture and images of the great wilderness of the West. Kane gained permission to travel with the Hudson's Bay Company fur brigades west and painted landscapes of Native peoples across Canada.

He left Toronto in May and arrived (after many adventures and misadventures) at Fort Vancouver in December, 1846. That's over 6 months on the road in far more rugged conditions we experience today, even when we go camping. He hunkered down at Fort Vancouver and then travelled throughout the Willamette Valley and north, including a stop at Fort Victoria.

Somewhere along the way, Kane painted an eruption of Mt. St. Helens at night (1847, source Wikipedia). You'll note the eruption comes (accurately) from the side of the cone, so not as significant as the big blow-up in 1980, but this must have had an impact on the peoples living there at that time. I also learned that Kane visited the Whitman Mission just a few months before the massacre there. Ah, the links that research brings!

Thanks to the library, I have Diane Eaton and Sheila Urbanek's book, Paul Kane's Great Nor-West with its wonderful commentary and diary excerpts to accompany his paintings. Now, back to work . . .