Showing posts with label Pablo Neruda. Show all posts
Showing posts with label Pablo Neruda. Show all posts

Wednesday, April 17, 2013

'O' is for Oblivion . . .


The poetry prompt from NaPoWriMo for Day 16 (“O”) asks us to look up a poem written by a poet in another language. The first poet I think of is Pablo Neruda and I found his poem, “No Hay Olvido” (There is no forgetting . . . ), a perfect “O” as olvido can also mean oblivion.

Our task: to look only at the poem in its original language and to attempt to translate it. And so I began, Spanish phrases turning to English. When I compared my translation to the translation offered online, I learned again that each language has its own patterns of expression, how difficult it is to translate poetry, that very private language; and that perhaps those who translate take license with the original that a casual reader cannot see. 

Here is my poem, for once I visited Santiago, Chile, where we spent an afternoon at Neruda's house, La Chascona, so named for his red-haired wife. 


For Pablo Neruda



You have written "No Hay Olvido," 
there is no forgetting,
but that I cannot do, for I remember well
your house in Santiago, overlooking Bellevista.
For one brief afternoon, we imagined
your respite here, in this multi-level
house built around a garden.
We strolled through nearly empty rooms
filled with colorful glass, Chinese
and Indian art, Bauhaus furniture,
a breathtaking wooden sculpture of two mermaids.
We read your penciled-marked poems
preserved under glass,
those passionate, surreal poems,
fragments of a life between countries,
perpetually in exile;
your great sad eyes saw
political commitments tested,
too much revolution and death.
Yet your poems speak for you,
even in green ink, they speak
of love and hope.

A stanza from Neruda's poem, "No Hay Olvido":

Si me preguntáis en dónde he estado
debo decir “Sucede”.
Debo de hablar del suelo que oscurecen las piedras,
del río que durando se destruye:
no sé sino las cosas que los pájaros pierden,
el mar dejado atrás, o mi hermana llorando.
Por qué tantas regiones, por qué un día
se junta con un día? Por qué una negra noche
se acumula en la boca? Por qué muertos?

My translation:

If you ask me where I have gone,
I must say we have come to the place 
where things die.
I would speak of the ground that obscures stone,
Of the river destroying itself:
I only know those things the birds have lost,
the sea leaves behind,
or my sister crying.
Why all these places?
Why does one day join itself with the next?
Why does a black night pile up
in the mouth?
Why is there death? 

Mural of Pablo Neruda near La Chascona

Read what others have written to celebrate April, National Poetry Month:
Poetry prompt from NaPoWriMo at http://www.napowrimo.net



Tuesday, April 21, 2009

#30 Neruda Retold: Fable of the Mermaid

Sometimes mermaid stories are about an ugly side of the relationships between men and women. Here, I followed Poefusion’s prompt to make a new poem by adding lines of my own between the lines of this mermaid poem by Pablo Neruda, still one of my favorite poets.

What was learned? That poets work in tight levels of meaning. I went online to post my version and discovered another Poetfusion poet, Gautami Tripathi, also working with a Neruda poem. Ha! And then I traveled up to La Sebastiana to walk through Pablo Neruda’s home here in Valparaiso, Chile. No photographs were allowed, but my eyes are full of this wonderfully creative space.

You can read Pablo Neruda's original version here: Fable of the Mermaid and the Drunks

"Neruda Retold: Fable of the Mermaid"

All those men were there inside,
as if they were waiting
when she came in totally naked.
They had been drinking: they began to spit
and laugh as if they had been given a toy.
Newly come from the river, she knew nothing.
She was as perfect as the moon.
She was a mermaid who had lost her way, and
the smell of the sea filled the room.
Their insults flowed down her gleaming flesh.
Obscenities drowned her golden breasts.
Not knowing tears, she did not weep tears.
Not knowing clothes, she did not have clothes.
They blackened her with burnt corks and cigarette stubs,
and rolled around laughing on the tavern floor
until one by one, they became quiet.
She did not speak because she had no speech.
Her eyes were the colour of distant love
shaming the men before her.
Her twin arms were made of white topaz
that burned those who touched her.
Her lips moved, silent, in a coral light
scream and the room was empty of life.
Suddenly she went out by that door.
Entering the river, she was cleaned,
shining like a white stone in the rain,
and without looking back, she swam again
swam towards the deep sea, swam towards life.