#175: Osha's Star . . .

At 96, she remembers very clearly
the colors she chose, where the quilt was made
and when. Her fingers outline the pattern,
one of her own making.
She smoothes the coverlet
and notes a torn stitch that needs repair.
I start a fabric copy,
stitch and turn and stitch again,
making something new from this old quilt.
We talk of days far in the past, her life on
the oil fields of Michigan in the 1930s,
what the children said when they were small.
She smiles and remembers
and folds the quilt away.



Sunday Scribblings' prompt for something "new" seemed to fit this afternoon of talk, for this pattern will stay in my family now.

Michigan in July . . .

Last night a thunderstorm,
covered the stars, darkness;
a crack of lightening sudden, complete.
I hid my weakness:
Nature doesn't patronize.

Out near Duck Lake,
I heard a loon cry this morning,
one small trill, then silence.
A barred owl sat on the fence for the longest time.
Under these Jack-pine trees, I feel safe,
safe from even the strongest rain.


NOTE: This poem is in response to Three Word Wednesday (darkness, patronize, weaken), and is the first poem I've written in a while. Perhaps it's because we've traveled across country, on our way to Philadelphia, then Scotland, and our car is loaded with boxes for three different kinds of journeys.

Today's quote on i-Google Literary Quotes widget highlights Gertrude Stein who says "In the portraits of really great writers, the mouths are always firmly closed." This made me smile. I'm a writer, not a great writer, but I'm deep in the midst of editing, editing, and even more editing. I could say the work goes reasonably well, that I'm on schedule, more or less. But every time I look at another photo of Inverness, Orkney, or Edinburgh, where we're headed in September, my heart feels lighter and lighter. I will really see these places where part of my story takes place. An amazing dream. So perhaps it's ok to hover a bit with my writing.