I'm thinking about Cinderella as a muse for writers, thanks to Elizabeth Anne Mitchell from ROW80. There she is, Cinderella, sitting in the ashes, hoarding her crusts, just one more starving, unpublished writer, hoping for transformation, that wave of a magic wand, yet bemused by the array of choices facing her just-finished novel.
Anne R. Allen's excellent article on the state of e-publishing/publishing in general, "Indie Publishing in 2013: Why We Can't Party Like It's 2009," intimidates as much as it informs. Amazon's recent spate of changes, Allen intimates, marginalizes the small, indie writer.
After what I thought was a careful comparison of Smashwords to Amazon as e-publishers, I chose Amazon to trial publish The Mermaid Quilt and Other Tales, largely because of their stand on DRM (the digital rights management debate). E-pubbing on Smashwords, with its multi-platforms, could allow the unscrupulous to carry off all those hundreds of writerly hours of hard work to new markets.
So I learned how to set up Kindle and paperback formats via Amazon (KDP and CreateSpace) and ventured out into the big marketplace. I'm still learning -- and will re-e-pub (if there's such a word) my collection of short stories with Smashwords and Kindle (taking a lesson from another ROW80 Colleague, Alberta Ross), on February 18, 2013, my personal liberation day from KDP Select.
If this Cinderella is sitting in the ashes of the fireplace, tearing her hair out and gnashing her teeth, it's because all of this is prologue. Publishing The Mermaid Quilt was a trial balloon to help me decide if I should e-pub my historical fiction, now up to two books. And the writing goes well on my main works in progress: I'm just finishing a "final" read through of Standing Stones, editing critically one last time. Do I sub to indie publishers? Do I self-publish? I honestly cannot decide. Your two cents???
|Brown spotted hyena taking a mud bath|
May your writing week go well.